Everything Everywhere All at Once

I had fairly high expectations going into this movie, and yet I wasn’t disappointed. I think what (pleasantly) surprised me the most was how culturally relevant it is to the Chinese American experience. I mean, yeah, I knew it was about a Chinese family just from the trailer, but it is a very Chinese movie. About 30-40% of the dialogue is all Chinese, after all, and the themes about generational approval are painfully relatable. My wife (who is Chinese) possibly enjoyed this movie more than I did, and she’s not usually one for violence or wacky humor. What’s magical about Everything Everywhere All at Once, though, is that the violence and wackiness all serve a purpose. Yes, there are many “LOL, random” moments, but they come with a payoff later in the movie and/or juxtapose the deeper feelings the characters are having.

I like to describe this movie as a family drama disguised as a sci-fi, multiverse action flick. The first half of the movie is very action heavy with some great fight choreography that takes full advantage of its multiverse gimmick. The rules of said multiverse are really fun to watch unfold, even going into the second half of the movie when the action slows down considerably. I guess that’s my only complaint with the movie; the more drama-heavy second half goes on for a little too long. It’s a satisfying conclusion to everything that has happened before, but it does requiring sitting through three different monologues from three different characters. Still, this is one of the best movies I’ve seen in a long time and, according to my wife, a much better example of Hollywood/Asian representation than Crazy Rich Asians was.

Reviewer

Clark
Gamer, programmer, writer, and educator.

Published by

Clark

Gamer, programmer, writer, and educator.